James Woolf
Writer

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"I thought this story was genuinely funny – in a way that induced large, stomach-heaving honks of laughter – but beneath the humour there was a freight of real sadness, or even darkness, and it was this that elevated the work above its own constraints."
 
KEVIN BARRY on R V Sieger - additional documents disclosed by the Crown Prosecution Service
Stories
James Woolf writer
James' short stories
James started writing short stories in 2014. A number have been published, including in AmbitSpread the Word/ Kingston University Press, Disclaimer, Cabinet of Heed, Cafe Aphra and Scribble. He has stories forthcoming in Riggwelter Press. 

James was shortlisted for the Exeter Short Story Prize in 2017, the Bridport Short Story Prize in 2016, placed second in the Greenacre/Finchley Literary Festival short story competition 2016, and highly commended in the London Short Story Prize 2015. 


 

James Woolf writer
Links to stories
T he Crossroads at Jijiga (published by Village Square Journal, April 2018)

Alvin's Dancehall - looking bac k  (published Cabinet of Heed, March 2018)

In Extremis  (published Cabinet of Heed, February 2018)

Love's Executioner Revisited  (published Disclaimer, January 2018)

Good Morning, Azar   (published Ambit, July 2017)

A Suitable Candidate (published Cafe Aphra, April 2017)

Mr and Mrs Clark and Blanche   (published Ambit, Jan 2017)

Waiting for Dylan Thomas  (published Cafe Aphra, July 2016)

The Wondwossi Hotel Bar  (placed second in the Greenacre/Finchley Literary Festival short story competition 2016)​

R V Sieger – additional documents disclosed by the Crown
Prosecution Service (highly commended in London Short Story prize 2015)





The Judges' comments on James' highly commended story in the London Short Story Prize
John McGregor

Jon McGregor

"It's always a treat to come across a story where the form has been led by the content, and this story - consisting of emails, letters, telephone transcripts and other documents - has utilised the device very successfully. I particularly liked the moments of indirect and partial revelation, and the increasingly rich pictures of the supporting
characters which built up as the story progressed. An excellent use of
technique."
Kevin Barry

Kevin Barry

"At first glance, this is a story that suggests tricksiness, with its
scattershot collection of documents, reports, lists, texts, mails. But very quickly we become aware that we’re in the hands of a real storyteller, and the narrative is expertly shaded in and teased through. I thought this story was genuinely funny – in a way that induced large, stomachheaving honks of laughter – but beneath the humour there was a freight of real sadness, or even darkness, and it was this that elevated the work above its own constraints. I thought the timing, especially, was fabulous."
Elise Dilsworth and others

Elise Dilsworth

"An original, fresh and deftly handled story where the intrigue intensifies as details are subtly revealed to the reader. The writing shows a great confidence of style and, along with an acute eye for witty observation, made for a very satisfying read."